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08_SuckingTheyScatter

*(The Mabbot street entrance of nighttown, before which stretches an uncobbled tramsiding set with skeleton tracks, red and green will-o’-the-wisps and danger signals. Rows of grimy houses with gaping doors. Rare lamps with faint rainbow fins. Round Rabaiotti’s halted ice gondola stunted men and women squabble. They grab wafers between which are wedged lumps of coral and copper snow. Sucking, they scatter slowly, children. The swancomb of the gondola, highreared, forges on through the murk, white and blue under a lighthouse. Whistles call and answer.)

James Joyce. Ulysses (Page 350)

I went for a run around Nighttown, commonly known in Dublin parlance as Monto.

The first thing I noticed is how much new buildings there are. Dublin was not extensively bombed during World War Two, known in Ireland as The Emergency, but most of the buildings in Nighttown have been replaced in the second half of the twentieth century as slums and tenements that feature strongly in the Circe episode in Ulysses were torn down.

There have been distinct efforts to eliminate traces of Monto as whilst the street patterns largely remain the names have changed from Meklinburgh Street Lower to Lower Tyrone Street and then to Railway Street, Montgomery Street to Foley Street and Mabbot Street to Corporation Street, to James Joyce Street.

Running here makes an interesting comparison with running around Richmond Cottages, which seem little changed from Joyce’s time.

Bibliography

Joyce, J. (1998) Ulysses. Edited by Hans Walter Gabler, Wolfhard Steppe, and Claus Melchior. Afterward by Michael Gordon edn. New York, United States: Vintage Books.

Click here to see the route details on Runkeeper

06_Swaddlers

    We walked along the North Strand Road till we came to the Vitriol Works and then turned to the right along the Wharf Road. Mahony began to play the Indian as soon as we were out of public sight. He chased a crowd of ragged girls, brandishing his unloaded catapult and, when two ragged boys began, out of chivalry, to fling stones at us, he proposed that we should charge them. I objected that the boys were too small and so we walked on, the ragged troop screaming after us Swaddlers! Swaddlers! thinking that we were Protestants because Mahony, who was dark complexioned, wore the silver badge of a cricket club in his cap.

James Joyce. An Encounter, Dubliners (Page 14,15)

In An Encounter the boys head out the North Strand Road before turning right along the Wharf Road. The Wharf Road is now East Wall Road, and may have been that when the story was written.

The boys turn right onto Wharf Road at the Vitriol Works. You can see more information on them here

As the boys went down to the north quays they would have passed the train depot which became the Point Depot and then the O2. Directly across the river can be seen the spire of the church in Ringsend Village. The field overlooking the Dodder River was probably south of Fitzwilliam Quay.

From The Point I ran back via Seville Place and Portland Row, which features in the Wandering Rocks episode of Ulysses

Bibliography

Joyce, J. (2006) Dubliners, Authoritative Text, Contexts, Criticism. Edited by Margot Norris, Hans Walter Gabler, and Walter Hettche. New York, United States: Norton, W. W. & Company.

Click here to see the route details on Runkeeper

04_ClonliffeRoad

    The speaker’s words were lost in the crunch of the heavy boots on the gravel. The rain was speeding and increasing and the vagrant bands of students were all turning their steps towards the college. Stephen still waited at his post and at last saw Wells coming down the path quickly: he had changed his outdoor dress for a soutane. He was very apologetic and not quite so familiar in manner. Stephen wanted him to go in with the others but he insisted on seeing his visitor to the gate. They took a short cut down beside the wall and were soon opposite the lodge. The [gate] side-door shut and Wells called out loudly to the lodge-woman to open it and let the gentleman out. Then he shook hands with Stephen and pressed him to come again. The lodge-woman opened the side-door and Wells looked out for a second or two almost enviously. Then he said:
—Well, goodbye, old man. Must run in now. Awfully good to see you again—see any of the old Clongowes set, you know. Be good now: I must run. Goodbye.
   As he tucked up his soutane high and ran awkwardly up the drive [and] he « looked a strange, almost criminal, fugitive in the dreary dusk. » Stephen’s eyes followed the running figure for a moment: and as he passed through the door into the lamplit street he smiled at his own impulse of pity.

James Joyce. Stephen Hero (pages 74, 75)

It is interesting how easy it is to link routes with different parts of Joyce’s works.

I went running down to North Richmond Street where Araby is set, then to Charleville Mall to see if it fits the scene in An Encounter (it does), then up Richmond Avenue where parts of The Portrait are set, through Philipsburgh Avenue where Joyce lived, around Richmond Road to Drumcondra and into Clonliffe College where part of Stephen Hero is set, back through Jones’s Road, the scene of the fight in The Portrait and back up Fitzgibbon Street where Joyce lived and Father Conmee wanted his letter posted in Ulysses..now where has the postbox gone?

Bibliography

Joyce, J. (1963) Stephen Hero. Edited by John J. Slocum and Herbert Cahoon. Introduction by Theodore Spencer edn. New York, United States: New Directions Publishing.

Click here to see the route details on Runkeeper

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